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"When heritage is stolen, a piece of history is lost forever": 16th c. Shri Lakshmi of Kerala lies as gift of Harry Lenart in Los Angeles County Museum of Art, a melancholy note that such priceless treasures of Indian heritage rest in foreign land

| Satyaagrah | Sculpture
It brings a melancholy note to our hearts when such priceless treasures of Indian heritage are not found in their native land, but instead, they rest in foreign territories

Sculpture of seated Brahma of Angkor in Cambodia was most likely made during the reign of the Buddhist King Jayavarman VII (r. 1181-ca. 1218), when many Hindu deities were incorporated into the practices of Khmer Buddhism

| Satyaagrah | Sculpture
The Vedas, the oldest and the holiest of Hindu scriptures are attributed to Brahma, and thus Brahma is regarded as the father of dharma.

"Rare Amrita Sher-Gil portrait sells for record $2.92 million": Born in Budapest to an Indian Sikh father and Hungarian mother, Amrita Sher-Gil painted the portrait in 1932 when she was 19, setting a new record for an Indian woman artist

| Satyaagrah | Rare society
It is one of the very few of her canvases that are in private circulation outside India, where her work is among those declared “National Art Treasures” by government and cannot be taken out of the country

Talwar from India dated to the Late 18th Century on display at the Queen’s Gallery in Edinburgh

| Satyaagrah | Rare society
This sword is an exceptional example of watered crucible steel made by melting iron with carbon-rich vegetable material, such as leaves, in a crucible for a prolonged period

Close view of sculpture of Kurmavatara (tortoise incarnation of Vishnu), Garhwa, Allahabad District - 1875

| Satyaagrah | Sculpture
Devtas were filled with energy and the curse of Saint Durvasa was lifted. Mohini then assumed her original form- the form of Lord Vishnu. Asuras were surprised to see this as they had been deceived and there was no nectar left for them

Top of broken pillar in foreground with the famous Sarnath lion capital standing on the ground beyond - 1905

| Satyaagrah | Photos
The Lion Capital served as the pedestal of a large stone Dharma-chakra with 32 spokes, which was found broken into pieces. This Dharma-chakra was intended by three Constituent Assembly to be the symbol of India

The Goddess Durga Slaying the Demon Buffalo Mahishasura - 12th century | India (Himachal Pradesh, probably Chamba Valley)

| Satyaagrah | Sculpture

Functioning as an altar shrine, complete with a lustration basin, this icon depicts the goddess Durga in the act of conquering the demon buffalo Mahisha. Durga crushes the beast with her foot and impales him with her trident, whereupon the demon reveals himself in human form and pleads for mercy.

In each of her eight arms, Durga holds a weapon lent to her by the male gods expressly for this task.

This shrine, with its distinctive temple towers, evokes the architecture of Himachal Pradesh, as does the lotus-petal nimbus framing the goddess’s head, a motif specific to the imagery of the Chamba Valley region.

Image and text credit: © The Metropolitan Museum of Art

Details of carvings at the Prasanna Chennakesava temple, Somnathpur - 1895

| Satyaagrah | Photos

This photograph of the Prasanna Chennakesava Temple, Somnathpur was taken in the 1890s by an unknown photographer and is from the Curzon Collection's 'Souvenir of Mysore Album'.

The Keshava Temple at Somnathpur near Mysore, completed in 1268, is one of the best-preserved temples built in the Hoysala period. Dedicated to Keshava, the god Vishnu under his three aspects, it consists of three shrines approached through a pillared mandapa.

On the outer walls of the temple, at the lower levels, there are friezes with elephants, horses, makaras (mythical sea creatures), geese, and foliated scrolls.

Then, a procession of gods richly encrusted with jewels and ornaments is set in the various projections of the walls created by the stellate plan of the sanctuaries. Above the panels, pilasters support miniature towers and an angled eave with fringe projects above.

Text and image credit: Copyright © The British Library Board

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